![]() As his deception earns the trust of both men, it essentially positions them in a state of vulnerability which allows Iago to directly manipulate their jeoaulusy into immoral actions. His choice of words, body language, and clever use of the handkerchief shelter his true intentions while conveying the idea that he is a noble man. The two examples are complementary evidence that exhibits how Iago’s ability to induce both Roderigo and Othello with illusive behavior, fluctuates their feelings of jealously beyond reason. Again, this suggests that Iago’s deceptive attitude flourishes on the insecurities and fears that other characters possess, which facilities the play’s sequence of events. He also stages physical proof by misplacing the handkerchief given to Desdemona from Othello that embodies their marriage, conscious that it would alter Othello’s emotions into menacing behavior and path the way toward his own downfall. In actuality, this was a tactic used only to reinforce his impression of a loyal and honest friend to Othello. Furthermore, he states that his doubt in Cassio’s loyalty is compelled by his love for Othello. Iago creates this false image to fortify Othello’s jealousy. Let us be wary, let us hide our loves.” (Shakespeare 3.3.472-76) In sleep I heard him say “Sweet Desdemona, So loose of soul that in their sleeps will mutter After suggesting to Othello that Cassio is disloyal to him, Iago further advances Othello’s suspicion by fabricating a claim. ![]() Since his endeavor is dependent upon the exploitation of Othello’s emotions leading to perform irrational actions, Iago upholds a false appearance that indicates honest signals of loyalty. Iago incites Othello’s jealousy by implanting distorted images about Desdemona having an affair with Cassio to contribute to his madness. ![]() In addition to his misleading behavior toward Roderigo, Iago’s jealousy is concealed behind an intangible mask that he bears in the face of Othello. Therefore, Roderigo only serves as a primary component in his plan to reprimand Cassio of his position and replace him. Additionally, it becomes apparent that Iago resents Cassio because the young inexperienced soldier occupies the prestige of lieutenant, which Iago longs for. However, as previously stated, it is evident that Iago has no genuine intention to help with Roderigo’s desire to elope with Desdemona, but rather to use his jealousy as a tool for his own satisfaction. Iago’s deceitful behavior is expressed through his friendly suggestion to Roderigo that he should follow the instructions to eradicate Cassio to cope with his emotional grief. Which indicates his use of dramatic, yet persuasive oral communication. They met so near with their lips that their breathsĮmbraced together (Shakespeare 2.1.240-82), Iago says to Roderigo in reference to Cassio, He successfully persuades Roderigo that Cassio’s flirtatious charm would only hinder his chances of being with Desdemona and begins to suggest that a possible solution would be to eliminate that threat. Iago eventually feeds Roderigo with exaggerated features about Othello’s lieutenant, Michael Cassio, and false depictions of his relationship with Desdemona, to provoke Roderigo’s jealousy. Iago blatantly explains to the reader that his intention is to use Roderigo’s envy of Othello and his marriage to Desdemona in attempt to further advance his malicious objective. Shakespeare’s tragedy, Othello, exhibits the deceptive behavior of Iago through his deliberate scheme to manipulate the feelings of jealousy within Othello, the main protagonist, and a nobleman named Roderigo. Iago’s masterful art of deception through persuasive communication and use of distorted images facilitates the chain of events in Othello that thrives on the jealousy within himself and envy exerted from Roderigo and Othello, which ultimately leads to the play’s tragic ending. The Shakespearean Tragedy, Othello, written by William Shakespeare, follows a man named Iago, who fabricates his appearance toward allies within the Venetian army to infiltrate their emotions and indirectly cause harm amongst themselves and relevant characters. ![]() Jealousy is a universal complex emotion that is typically depicted as a ‘green-eyed monster.’ It is a powerful idiom used within various forms of literature and art that personifies a creature who finds joy in the misfortune of others or grieves during another’s prosperity. While these lies may be harmless and sometimes beneficial depending on the given situation, they also have the potential to inflict colossal damage especially if these lies are used to manipulate a fatal flaw within another person such as jealousy. A pattern of trivial lies can be observed within human evolution and civilization. It becomes prominent to individuals that human beings are far from representatives of moral perfection.
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